The use of triangles and pyramids in music and media has become increasingly prevalent, often accompanied by demonic and devilish imagery. Examples of this can be seen in music videos, album artwork, and live performances. One example is the use of the all-seeing eye or the Eye of Providence, a symbol often associated with the Illuminati, which can be found in music videos from artists such as Jay-Z and Katy Perry. Another example is the use of pyramids and triangles, often accompanied by occult imagery, in the music videos of artists like Beyonce and Lady Gaga.

This growing prevalence of subliminal messaging and occult symbolism in mainstream media has led to concern among many, who argue that it represents a form of mind control and manipulation by those in power. Some argue that these symbols are used to push certain agendas and to promote a particular worldview, often decided by a select few individuals at the top of the music industry.

However, it is important to note that not all artists use these symbols, and it is up to the individual viewer or listener to decide whether or not they choose to engage with this type of imagery. Nonetheless, the prevalence of these symbols in mainstream media raises important questions about the role of art and media in shaping our perceptions of the world, and about the power structures that exist within the music industry and beyond.

   “The inverted pyramid power structure is a system that prioritizes the needs and interests of individuals and communities at the bottom of the structure, rather than a few powerful executives at the top making decisions for everyone else. This structure is a departure from the traditional power structures that concentrate power and influence in the hands of a few, often to the detriment of the broader community. ” Said Mwosa, the pioneer pushing the Inverted Pyramid idea into the future. In recent years, there has been a growing movement towards more open and decentralized structures of power and decision-making across many industries, including the music industry. This movement is pushing back against traditional power structures and is being driven in part by the rise of blockchain technology and other decentralized technologies that enable more efficient and secure transactions, as well as the creation of new decentralized applications and services.

     The music industry has long been plagued by traditional power structures that prioritize the interests of record labels and executives over those of artists and fans. However, in recent years, a growing movement towards more open and decentralized structures of power and decision-making has emerged, challenging this status quo. One company leading this charge is DIGITVL, a start-up music tech company that is empowering artists to take control of their careers by providing them with the tools and resources to create and distribute their music independently. The “V” in “DIGITVL” represents the inverted pyramid, giving symbolism within the name itself.

   Mwosa is leading the charge by offering artists the ability to distribute and promote their music on their own terms. The efforts at DIGITVL are dismantling the traditional power structures that have long been used by record labels to exploit and control artists. In the current era of digital streaming, record labels are often the gatekeepers of access to distribution and promotion channels, which can leave artists without any viable options to succeed. By providing a platform for decentralized independent distribution and promotion, DIGITVL is leveling the playing field and giving artists more agency and control over their careers.

     Moreover, DIGITVL is helping artists become more financially responsible for their own well-being. The music industry has long been known for its corruption and exploitation, with record labels taking the lion’s share of profits while leaving artists with a small fraction of their earnings and a lack of transparency. This has contributed to a significant power imbalance, with artists struggling to make ends meet while record labels reap the benefits of their hard work.The rise of blockchain technology has been a driving force behind the movement towards more open and decentralized structures of power and decision-making. At its core, blockchain represents the power of the inverted pyramid, as it allows for a distributed network of nodes to participate in the verification and validation of transactions, rather than relying on a central authority.

     By leveraging the power of cryptography and consensus mechanisms, blockchain enables a high degree of trust and transparency, without the need for intermediaries. This has significant implications for a wide range of industries, as it allows for more efficient and secure transactions, as well as the creation of new decentralized applications and services.

     Moreover, blockchain is a powerful tool for empowering individuals and communities, as it enables them to take control of their data and assets. By using blockchain-based platforms, individuals can store and share data on their own terms, without the need for centralized entities like Facebook or Google. They can also manage and store their digital assets, such as cryptocurrencies or non-fungible tokens, without relying on traditional financial institutions.

     With DIGITVL, artists have more control over their careers, earnings and can store their money on the blockchain’s DIGITVL introduces artists to through utility. This enables them to take more responsibility for their own financial well-being, which is especially critical in a time where the value of traditional currencies is being questioned, and the collapse of the dollar is not an improbable scenario.